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It is hard to tell if the archival documentary African Mirror is a rehabilitation of a colonial mind, a critique of colonialism or a piece of essayistic nostalgia over the colonial gaze. Probably it is a mix, and as such, nothing new.
Peter Mettler is known for his intuitive and experimental film making. The new film Becoming Animal has also an ecological and philosophical depth, as it involves the Canadian philosopher David Abram.
An intriguing portrait of a war reporter that died under murky circumstances during the 90s in wartime Yugoslavia, after trading in his pen for a more active role in the bloody conflict.
Eldorado is a testament to the increased brutalisation of our human perception over the last decade.
In his latest film The Image Book, Godard demands a «revolution in the revolution», calling for the subject to constitute his own law against the society, which – according to Godard – is nothing other than a constellation of organised crime.
In the exclusive fly-on-the-wall footages in Vitaly Mansky‘s Putin’s Witnesses, we’re offered a glimpse into Vladimir Putin‘s raise to power – from his early promises of media freedom to the flagrant disregard of democratic norms.
The French journalists Arfi and Laske investigate the real reasons behind the bombing of Libya in 2011.
In Genesis 2.0 we follow Siberian tusk hunters uncovering animal bodies from the Siberian permafrost. If only one living cell could be recovered – the artificial reconstruction of a living mammoth would become possible.
Hotel Jugoslavija appears as a mirror image of the Yugoslav glory and downfall, symbolised by the once grand and luxurious hotel in the capital of a country that ceased to exist.
A magnificent documentary about the natural origins of what we consider to be man-made and the connection between man and nature.