Control

Control of Society – Surveillance, Bureaucracy, Finance, AI, Disciplinary systems, Capitalism, Big data, Technology

No winners, no losers

While US Democrats, Republicans and the President bicker over a border wall, Chèche Lavi shows what whimsical policy measures mean to real people.

Documentary as a transmission medium

The new documentary Spaces of Exception draws parallels between the experiences of oppression and resistance in Native American reservations and Palestinian refugee camps.

From «success story» to chaos and confusion

But Now is Perfect tells the story of how a small local village in the south of Italy opened up their community and welcomed refugees seeking a better future in Europe. But it is also a story about loss and tragedy.

Taking down a regime

South Korean citizens made history when – armed with lighted candles and demands of justice – they brought down president Park Geun-hye and her conservative party in 2017. Director Nungcool and her crew documented the experience.

A hilarious examination of the human condition

An intimate portrait of a sarcastic elderly Palestinian woman's life, relationships, regrets and bitterness enlightened by flashes of dark humour.

To set out for the Moon

Hamada turns the attention to the rocky, wind-eroded desert of the Western Sahara, where the Sahrawi people have resided in refugee camps for more than 40 years.

A powerful cry for justice

Forensically detailed catalogue of state-sponsored killings paints a dark picture of the life and death for poor, black youngsters in Rio's sprawling shanty-towns.

How the toleration of crime can change everything

A film revealing the many faces of decades of organised crime in Southern Italy.

Walls of fear

The Border Fence draws out the anxieties and fears of a community in the grip of a shifting political landscape, provoking unavoidable parallels with an increasingly divisive Europe.

Archival disaster tourism

The archival footage from a court action against leading scientists in the Soviet Union of 1930 has been reconfigured into a narrative drama, which leads today‘s audience to believe the opposite of contemporary spectators.
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