«The Commune» takes on the recognition that local socialism is so very hard to achive.
Two important but very different documentaries from 2018 showcase the power of the short film form.
The daughter Sara Broos decided to make a documentary to get closer to her mum, the renowned Swedish painter, Karin Broos.
APOCALYPSE: A solitary greenhouse is the final outpost on Earth in Ben River’s prophetic science fiction-scenario, which stages the uncertain fate of the planet: deserted, with this greenhouse as its last remaining habitable place.
“Make media with no impact” – that’s the proclamation of the Greencode Project, referring to the environmental footprint of our industry
Should sugar be regarded as a toxin equal to that of tobacco? Two documentaries focus on the sweet drug's damaging effects and on the sugar industry's attempt to trivialise them.
Psychiatry: How inaccessible – or open – is the human mind to others?
A new hard-hitting documentary draws parallels between the climate crisis and worldwide social unrest.
During the tour of Europe’s food industry presented in Erwin Wagenhofer's documentary “We Feed the World”, there is a sequence about the greenhouses covering Almeria.
Two newcomers stood out from the crowd at this year’s Underdox in Munich. Sec Rouge – one of 2018's most striking, accomplished and beautiful films of any length – and the seminal and glowingly delicate 48-minute film, Accession.