The web has had roughly a couple of decades to realize its potential as the channel for radical, subversive thinking or action. This film illustrates the web’s potential as a forum for the much bemoaned voices that seldom gain admittance to the public domain. But the prime feat of RIP in Pieces is the compilation skills of the sampling director-artist.
“Make media with no impact” – that’s the proclamation of the Greencode Project, referring to the environmental footprint of our industry
During the tour of Europe’s food industry presented in Erwin Wagenhofer's documentary “We Feed the World”, there is a sequence about the greenhouses covering Almeria.
The film starts in deathly silence
A child in front of the mirror, looking at himself. A small boy not old enough to know that he is looking at himself.
An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda.
After 1986, a restricted zone was erected at a radius of 30km around Chernobyl. More than 100.000 people have been evacuated from there, but some have remained or returned
OUR PARK was meant to be a nice quiet film about the filmmaker's local park, an essay on the notion of the wild and the tame in the inner city suburb of Leichhardt