Can musical influences be described in terms of their sociocultural genealogy, or their historical/ geographical roots?
Where Khodorkovsky, in the end, surrenders to the pressure and signs a deal with Putin, Nemtsov is without compromise. We know the result.
We are all obsessed with the universal law of morality. But in this film they make love without feelings; they cannot love; their power is to become their wound – one of the girls sees her actions as a slow death. But the film also turns the savage moments into a prayer.
An old man is packing his things away, assisted by a young woman. Now they’ve reached the books.
Susana de Sousa Dias uses only twelve minutes of archive footage in her 72-minute archive-based film “Still Life”
Genocide – what role can a documentary film play in a court case?
PUBLIC ENEMY presents four charismatic and influential Americans who have been leading wildly dissimilar lives, yet they have one thing in common: they are all former members of the Black Panther Party - the radical black liberation movement that confronted racial and economic inequality in 1960s mainstream America.
By taking its characters seriously, Toni Erdmann avoids the most obvious pitfalls of the comedy genre.
Rokhsar Sediqi is a 14-year old who lives with her mum, dad and five siblings in the Danish countryside. She has waited four years for a leave to remain in Denmark.
Usually, the mafia is depicted as a men’s organization.