YAIR LEV takes up the challenge and makes an attempt to characterize the differences between reportage and documentary film.
One of the most difficult issues to untangle in the making of documentary cinema is the issue of its limits: how does it differ from reportage? When can we determine with any certainty that we are watching a movie and not a news report, interesting or exciting as that may be? The difficulty of creating clear-cut definitions in the fields of aesthetics and literary criticism is well known, although intuitively the differences are often clear.
Essentially, there are two types of reportage: ‘news reports’, which deliver “objective” coverage of events, and the other type of reports I will refer to here under the generic umbrella of ‘colour reports’. These reports deal with a variety of phenomena that exist on the fringe of a news event or are generated by them, for example the reports in weekly news magazines. Other times they are more “freestyle” and less crucial, such as reports about migrating birds in the Hula Valley or new Internet sites. A sub-genre of the ‘colour reports’ is the ‘personal report’, usually longer, carried out by a well-known investigative journalist, reporting from his personal viewpoint. A genre that is also called …
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