Pervert’s Guide To Ideology
USA 2012, 2h 16min.
Philosopher Slavoj Zizek and filmmaker Sophie Fiennes use their interpretation of moving pictures to present a compelling cinematic journey into the heart of ideology – the dreams that shape our collective beliefs and practices.
A philosopher located in a montage of set designs collected from film history might sound like an unlikely concept – he is explaining abstract concepts in a documentary where he plays himself. When it comes to the Slovenian philosopher Slavoj Žižek, though, it is a perfect medium for his theatrically driven way of thinking. As all readers acquainted with him know, he draws heavily upon film history when he writes. He also, notoriously, moves with exemplary ease within all areas of culture with the credo that nothing is forbidden: Kant, hardcore pornography, Wagner, The Matrix and caffeine-free coffee – to give some recurring examples – mixed up in his style of philosophy. The backdrop as usual is a blend of Lacanian psychoanalysis, Hegel, dirty jokes and anecdotes (often from old communist Yugoslavia) and a number of Hitchcock films (most often Vertigo). Žižek’s thought doesn’t operate in an abstracted, theoretical space, where the thinker himself is blotted out. It is the other way around: he is the conceptual persona giving face, bodily presence and temperature to his texts, frenetically jumping from one stage to another. The series of Zizekian gestures is fundamentally essayistic as it never adds up to any given insight, where his philosophy attains equilibrium, but travels along a horizontal topography making up his theatre of thought.
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