Lucid dreaming: animated documentary at Thessaloniki

THESSALONIKI: Three films from the 2020 Thessaloniki Documentary Festival prove the multi-dimensional power of animation in non-fiction storytelling.
Carmen Gray
Carmen Gray
Freelance film critic and regular contributor to Modern Times Review.
Published date: March 12, 2020
Thessaloniki-Documentary Festival-2020-featured
Tower, a film by Keith Maitland

If fumbling for a definition of documentary, the «observation of reality» might initially spring to one’s mind. But the idea of simply pointing a camera at the world around us and recording it, as if seen by our own eyes, barely scratches the surface of attempts to represent what is true — and how little of it is rawly visible before us. In the ‘20s, animation was turned to as a way to illustrate abstract concepts in educational films such as the Fleischer brothers’ The Einstein Theory of Relativity. These days, non-fiction exists in an ever-more complicated dance with the acknowledgment of subjectivity and unreliable perception. Animation has proved an effective tool in breathing life into, not only, testimonies of the past, but also the inextricability of imagination, emotion, and the hallucinatory plane of dreams. This year, a tribute programme at 2020 Thessaloniki Documentary Festival explores ways in which animation has enriched the documentary form, creating a hybrid sub-genre. Below, we revisit several selection highlights.


On August 1, 1966, a sniper opened fire indiscriminately from the observation deck of the University of Texas Tower, shooting 16 people in a 96-minute campus siege, before he was shot …

Dear reader. You have already read a free review/view article today (but all industry news is free), so please come back tomorrow or login if you are a subscriber? For 9 euro, you will get full access to around 2000 articles, all our e-magazines – and receive the coming printed magazines.