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The opening scene of Becoming Animal is a tapestry in motion. An elk sinks to its shoulders in a landscape of splendid autumn colors. The animal slowly turns its head to reveal its majestic antlers. Shortly afterward, the elk rises to full stature, showing its impressive figure. As if the sight of one alone might not be wonderful enough, it wanders over to another equally impressive elk. These full-size, satisfyingly harmonious creatures evoke a magical sense of serenity. Another similarly atmospheric scene follows shortly – a memory of warm summer nights in forests full of life and sounds that awaken the senses as much as they subdue the conscious mind.
We are in the Grand Tetons National Park in Wyoming. The sound of the huge animals’ mating rituals gradually develops from high pitched overtones sliding through the night, descending into deep grunts. The grainy recordings and dense shadows create a greater sense of presence. The trio behind the film – filmmakers Peter Mettler and Emma Davie, as well as the philosopher and writer David Abram – are out together recording under the full moon. The grunting sounds lend themselves to a peculiar atmosphere. Small talk evolves into a philosophical conversation led by David: they argue that the enormous spectrum of mating songs may have been the roots of …
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