The Artist & The Pervert is a somewhat atypical portrait of an artist that tells less about composer Georg Friedrich Haas’ microtonal music then it does about his BDSM-based relationship with his wife.
Two important but very different documentaries from 2018 showcase the power of the short film form.
At the 29th festival of films about art, Festival International du Film sur l’Art (FIFA), DOX’s Kjetil Røed writes from different angles: psychological, conceptual, distortions of the real and intermedia reconsidered. But was the festival itself missing a historical and theoretical context?
The transmediale festival in Berlin is a quintessential summit for the discourse between art and digital culture. The “Immediated Autodocumentary” project – shot, edited and screened during the festival – points out how technology may have replaced the director with the transmedia producer.