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  • Award-winner: An identity struggle that never ended

    Srbenka (2018) gives an insight to the current life and war memories among the Serbian minority in Croatia. The film is a skilful metatheatre that involves both the troupe’s acting and sense of self as they work on their own memories.

  • Odessa: From writers’ muse to political pawn

    Once «The Pearl of the Black Sea», the political power struggles that have been characterising the East-West relationship since 2014 have left the major tourist centre in an inconvenient position. Needless to say, this year’s Odessa International Film Festival couldn’t avoid politics.

  • Visions du Reel: Dispossession and Anote’s Ark

    Two films dissect the destructive forces wrought by capitalism on the world, and the commodification of all it has to offer. The land, livelihood and the history of humans and animals alike all serve as fodder for the grinding gears of the machine. Does this constitute an act of war?

  • Invisible Hands

    Invisible Hands is committed to the ideology of the free market, but can this myth ever become reality?

  • Stalin’s Many Admirers in Today’s Russia

    STALIN, RUSSIA: Through interviews, observations and archival footage, this documentary explores the present baffling and widespread reverence of Stalin.

  • The Other Side of Everything Mila Turajli

    Three Distinct Political And Historical Periods Of Serbia

    SERBIA: A locked door inside a Belgrade apartment has kept one family separated from their past for over 70 years.

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