moldox
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«Imagine you are a child of an executioner and a victim at the same time»
INTERVIEW: In Last Letters From My Grandma, Olga Lucovnicova turns a box of family letters into a reckoning with Soviet memory, migration, silence and the war in Ukraine. Speaking with Modern Times Review, she reflects on language, trauma and the family as a contested historical archive.
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Cutting Through Rocks
IRAN: Set in rural Iran yet reaching far beyond it, this is a quietly incendiary portrait of female autonomy under pressure.
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Pitch@Moldox: building a documentary pipeline in Chișinău
MOLDOVA: MOLDOX’s Pitch@Moldox 2025 turns emerging Moldovan docs into European-ready projects, from healthcare breakdown to VHS memory, war-scarred identity and landfill soundscapes.
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Last Letters From My Grandma
IDENTITY: From Moldova to the southern Urals to Spain, Last Letters from My Grandma links family loss to larger political fractures, asking what peace costs and who pays.
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«We are ten years old, but we are still young»
INTERVIEW: At ten years old, MOLDOX meets Moldova’s EU horizon and the war’s shadow with «Chaos. Reinventing Reality,» testing whether documentary can fortify a fragile public sphere.
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MOLDOX unveils 2025 programme under «Chaos. Reinventing Reality» theme
The 10th edition of the #MOLDOX Festival will take place from 26–30 November 2025 in Chișinău, with a programme that examines conflict, social fragility and the ways communities respond to upheaval. Under the theme «Chaos. Reinventing Reality,» the festival positions documentary cinema as both a witness to crises and a medium for imagining alternatives. This…
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Cuba & Alaska
UKRAINE: Laughing in the face of death, the two heroines of journalist-turned-filmmaker Yegor Troyanovsky's debut documentary Cuba & Alaska pitch viewers into the agony and ecstasy of Ukraine's frontlines.


