moldox

«Imagine you are a child of an executioner and a victim at the same time»
INTERVIEW: In Last Letters From My Grandma, Olga Lucovnicova turns a box of family letters into a reckoning with Soviet memory, migration, silence and the war in Ukraine. Speaking with Modern Times Review, she reflects on language, trauma and the family as a contested historical archive.

Cutting Through Rocks
IRAN: Set in rural Iran yet reaching far beyond it, this is a quietly incendiary portrait of female autonomy under pressure.

Pitch@Moldox: building a documentary pipeline in Chișinău
MOLDOVA: MOLDOX’s Pitch@Moldox 2025 turns emerging Moldovan docs into European-ready projects, from healthcare breakdown to VHS memory, war-scarred identity and landfill soundscapes.

Last Letters From My Grandma
IDENTITY: From Moldova to the southern Urals to Spain, Last Letters from My Grandma links family loss to larger political fractures, asking what peace costs and who pays.

«We are ten years old, but we are still young»
INTERVIEW: At ten years old, MOLDOX meets Moldova’s EU horizon and the war’s shadow with «Chaos. Reinventing Reality,» testing whether documentary can fortify a fragile public sphere.

MOLDOX unveils 2025 programme under «Chaos. Reinventing Reality» theme
The 10th edition of the #MOLDOX Festival will take place from 26–30 November 2025 in Chișinău, with a programme that examines conflict, social fragility and the ways communities respond to upheaval. Under the theme «Chaos. Reinventing Reality,» the festival positions documentary cinema as both a witness to crises and a medium for imagining alternatives. This…

Cuba & Alaska
UKRAINE: Laughing in the face of death, the two heroines of journalist-turned-filmmaker Yegor Troyanovsky's debut documentary Cuba & Alaska pitch viewers into the agony and ecstasy of Ukraine's frontlines.


