As I visited the two exhibitions in Oslo at the Astrup Fearnley museum (The World is Made of Stories and Los Angeles − A Fiction) last weekend, I was reminded of how frequently you are confronted by graphic images of sexual organs in the modern art arena:
Although, what happens when you are bombarded with too many anatomically correct penises – do you become immune? I am struck by how unattractive naked sexual organs seem as they hang on white, flood-lit walls accompanied by the sound of visitors’ footsteps reverberating through the enormous exhibition halls. I am instead concerned with the variations and deviations of the anonymous fertility organs, and wonder what is considered to be the correct distance to the exhibited limbs and pubes.
In Andrea Culkovás’ playful, exploring and visually saturated documentary about life as a modern artist, the title H*ART ON (presumably a play on the words “hard-on”/erection, “heart” and “art”) is positioned in the crossfire between a semen-squirting penis and milk-spouting breasts. However, the frequently occurring sexual motives of the featured artists’ productions never eclipse the informed and profound conversation about the nature and importance of art which unfolds throughout the film.
Relatively unknown avant garde painter, designer and illustrator Zdeněk Rykr (b. 1900) is allocated a central position in the documentary, both …
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