Huser is a regular contributor to Modern Times Review.
CAPITALISM: Midnight Family and Overseas show two very different kinds of underprivileged workers within a backdrop of our times’ ruthless capitalism.

Sung-a Yoon’s feature documentary Overseas starts with a static shot of a young Filipino woman cleaning a bathroom. After a while, she starts to cry, but still carries on with her solitary work. The scene illustrates a core point taught at the training centre for Filipino workers about to work abroad as maids, which the film portrays: Never let your employers see you cry.

At the training centre, the women are prepared for the tasks they will perform as so-called OFW’s (Overseas Filipino Workers) in Asian and Middle-Eastern countries, such as cooking and serving meals, cleaning houses and infants, and perhaps also cleaning disabled family members. The challenges they will meet are plentiful, both in terms of being away from their family – whom many of them will be supporting through this assignment for at least two years – and from the constant demands and sometimes abuse from the families they are off to serve.


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