copenhagen

  • Condemned to an idea of Russia

    Condemned to an idea of Russia

    RUSSIA: Though the communist era may be over, the ideology of serving the motherland is still very much alive as an ideal for indoctrination.

  • Death and duty

    Death and duty

    RUSSIA: The dreamlike beauty of Ksenia Okhapkina's concise film connects the subtle mechanisms of control in a former Gulag town.

  • The deadly circle of German fate

    The deadly circle of German fate

    GERMANY: Thomas Heise voyages into mental and emotional fractures

  • When your country is against you   

    When your country is against you  

    BLACK AMERICA: Robert Minervini’s new documentary examines a community of disenfranchised people in New Orleans and their struggle for survival in a country that seems to have forsaken them.

  • From the frontlines of the war on refugees

    From the frontlines of the war on refugees

    REFUGEES: Chinese artist and filmmaker Ai Weiwei follows up his documentary Human Flow with a reportage from the warzones that await refugees in Europe. The Rest is about the millions who came for shelter but found none.

  • The art of disruption in the world’s most closed regime

    The art of disruption in the world’s most closed regime

    NORTH KOREA:Seven international artists travel to Pyongyang to participate in the hermit kingdom’s first arts symposium in a throughout provoking reminder how we are all products of cultural conditioning.

  • Exposing the misery of the Mafia

    Exposing the misery of the Mafia

    PHOTOGRAPHY: Letizia Battaglia never introduced herself as a photographer of the Mafia. She was taking pictures of Palermo, she says, where the Mafia is simply part of everyday life and routines.

  • A well-wrought thriller about the death of a Swedish UN Secretary-General

    A well-wrought thriller about the death of a Swedish UN Secretary-General

    In his classic Mads Brügger-film style, the Danish director seeks to find out who stood behind the plane crash that killed the UN secretary-general Dag Hammarskjöld in 1961.

  • The making of AURORA

    The making of AURORA

    Once Aurora paints a picture of an industry of men intent on using the young Norwegian artist AURORA as a tool to further their own ambitions more than to nurture her own creative independence.

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