Mexico

  • In the zone

    In the zone

    JOURNALISM: How do the stories we hear and see come from the conflict zone to our pages and screens? Through the fall of IS, Journalist at War seeks to find out.

  • Everything we love is transient, fleeting, temporary

    Everything we love is transient, fleeting, temporary

    ESSAY: It is our self-understanding that is at stake today. With their aggressive, partly inflated subjects, Western technologists, economists, and artists have for centuries seen themselves above nature. In the ecosystem, man is in nature, he is a part of nature, on which he is completely dependent. Can we protect biotopes, habitats, rivers, lakes, soils,…

  • Berlin stinks

    Berlin stinks

    BERLINALE: There really was something behind the films at the Berlinale this year.

  • No use for silence

    No use for silence

    MEXICO: A portrait of the courageous and tenacious Mexican journalist Carmen Aristegui

  • Journalism, a life risking occupation in Mexico

    Journalism, a life risking occupation in Mexico

    MEXICO: The incorruptible journalist Carmen Aristegui is one of the few voices in Mexico with the courage to consistently speak the truth

  • The cartel drafts and corpse diggers of Mexico’s reluctant armies

    The cartel drafts and corpse diggers of Mexico’s reluctant armies

    DRUG WAR: Trapped within an abjectly corrupt architecture of power, many Mexicans are subject to the collusion between organised crime and state institutions in a deadly concert of terror.

  • The nightmare in Mexico

    The nightmare in Mexico

    DRUG WAR: A respectful and sensitive dedication Mexico’s dead and missing.

  • More than sun and heat

    More than sun and heat

    MIGRANTS: An uneven book about people who move with a desire for a better life but encounter problems when they move «home» again.

  • The conspiracy between the lawful and the unlawful

    The conspiracy between the lawful and the unlawful

    IMMIGRATION: Mexican government complicity to the lethal violence of organised crime and America's brutal bureaucracy towards asylum seekers are both condemned in Marcela Arteaga's poetic and piercing The Guardian of Memory.

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