New York

  • The knot in the heart

    The knot in the heart

    PHOTOGRAPHY:For almost 50 years, the photographer Eugene Richards has documented a variety of destinies, from crack addicts to people in emergency rooms and psychiatric hospitals. What has driven him?

  • A perverted portrait of an artist

    A perverted portrait of an artist

    The Artist & The Pervert is a somewhat atypical portrait of an artist that tells less about composer Georg Friedrich Haas’ microtonal music then it does about his BDSM-based relationship with his wife.

  • Exodus – Catch 22

    Exodus – Catch 22

    The Chinese contemporary artist and filmmaker Weiwei delivers a captivating life and death fresco of homeless hordes of people in Technicolor.

  • PIOTR STASIK: «When something is very difficult, magical things can happen.»

    PIOTR STASIK: «When something is very difficult, magical things can happen.»

    Piotr Stasik is a facinating, independent voice on the Polish film arena. We spoke to him on the topics of love, freedom, New Yorkers and Europeans – and his recent essay documentary 21 X New York.

  • Sex and metropolitan living

    Sex and metropolitan living

    The metropolitan symphony 21 X New York portrays the iconic metropolis through 21 of its citizens, focusing on what to do or what not to do in a city that never sleeps.

  • Looking humanity in the eye

    Looking humanity in the eye

    With its excessive simplicity, the cinema documentary and multimedia project Human is able to bring us a little closer together.

  • Voices from the dungeon

    Voices from the dungeon

    The web has had roughly a couple of decades to realize its potential as the channel for radical, subversive thinking or action. This film illustrates the web’s potential as a forum for the much bemoaned voices that seldom gain admittance to the public domain. But the prime feat of RIP in Pieces is the compilation…

  • ETHICAL DILEMMAS: Docs under duress

    ETHICAL DILEMMAS: Docs under duress

    What are the ethical dilemmas of telling real stories in war time? And, to what extent will filmmakers go to tell those stories?

  • People helping people

    People helping people

    Business model 2.0: get your personal audience to support your personal art. In the US filmmakers have managed to finance several films through the Iinternet, but what does it have to offer a European documentary scene?

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