realism
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Death – more or less real
REALITY: We perceive reality very differently. So let me suggest three areas where reality is real, strong and direct for all of us. But also about what a newly translated book by Pier Paolo Pasolini says about film's contact with reality.
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When violence becomes the only way
POWER: According to Hannah Arendt, the use of violence, weapons, and bombs renders us politically voiceless. Can her particular analyses of power teach us anything about the violence being perpetrated from and in Gaza today?
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Exploring cinematic reflections of crisis: documentary on the march
CINEMA: More prescient than ever, Doclisboa's «Documentary on the March» retrospective provide a blueprint for today's documentaries for social change.
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The liminal spaces of art and cinema
ART: Three DOKUARTS-screened films invite both the scholarly aesthete and the public intellectual to reevaluate the perennial dialogues at the intersections of art, cinema, and society.
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Nikolaus Geyrhalter: «I don’t like humans as a species.»
INTERVIEW:The 25th Thessaloniki International Documentary Festival paid a tribute to the Austrian filmmaker Nikolaus Geyrhalter (51), with a masterclass and screening of 10 films.
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Garbage, garbage everywhere
ECOLOGY: Following waste across the planet and the endless struggle of people to gain control over it.
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The modern world in contemporary films
FESCAAAL: This year's edition in Milano offered an insight into the major transformations of the modern world.
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«With a blend of persistence, love, realism and boldness, Greek documentaries always find a unique way to tell their stories»
THESSALONIKI DOCUMENTARY FESTIVAL: Ahead of the 24th edition, Modern Times Review spoke with the Director of the Greek Programme, Eleni Androutopoulou on this year's homegrown productions, the place of Greek documentary within its wider landscape, and more.