In Extremis: A story about bravery, talent and betrayal
WAR REPORTER:Marie Colvin covered all the main conflicts of our time, always with the same aim: not only to bear witness, but to bring action.
WAR REPORTER:Marie Colvin covered all the main conflicts of our time, always with the same aim: not only to bear witness, but to bring action.
PHOTOGRAPHY: Letizia Battaglia never introduced herself as a photographer of the Mafia. She was taking pictures of Palermo, she says, where the Mafia is simply part of everyday life and routines.
PHOTOGRAPHY:For almost 50 years, the photographer Eugene Richards has documented a variety of destinies, from crack addicts to people in emergency rooms and psychiatric hospitals. What has driven him?
As his country slowly moves past its communist decades, a Cuban veteran is stuck in the past.
An intimate portrait of a sarcastic elderly Palestinian woman’s life, relationships, regrets and bitterness enlightened by flashes of dark humour.
Their Own Republic by Russian director Aliona Polunina caused quite a fury at this year‘s Doclisboa due to its pro-Russian stance. The documentary nonetheless offers an interesting insight into the side of the Ukrainian conflict rarely portrayed in western media.
RUSSIA: Meeting Gorbachev is an intimate and engaging portrait of the man who unwittingly prompted the collapse of the Soviet Union.
WAR REPORTER: The documentary Under the Wire provides a first-hand account of what really transpired during the early days of the war in Syria during the siege of Homs and the attack that killed war correspondent Marie Colvin.
WAR REPORTER: Rania Abouzeid gained unprecedented access to the heart of the Syrian conflict by clandestinely entering Syria over a number of years. No Turning Back tells the Syrians stories.