A Social Genocide

Fernando E. Solanas

Argentina, Switzerland, France, 2003.

Michael Moore

The effect of the commercial success of Michael Moore’s films is evident and good for the documentary community, and hurrah for the recognition he got in Cannes. But let’s not forget that another political filmmaker, Fernando Solanas, who from a cinematic point of view is perhaps a much more interesting artist, also got his award at the Berlin Film Festival for his lifetime achievement.

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