West of the Jordan River is Amos Gitai's first return to the Palestinian occupied territories since his 1982 documentary Field Diary. In his latest film he picks up the pieces where he left off – arguing that people is the change needed to make peace in the Middle East.
Nick Holdsworth
Journalist, writer, author, filmmaker and film and TV industry expert – Central and Eastern Europe and Russia.
Published date: April 17, 2018

Amos Gitai is an Israeli filmmaker who has devoted his life to using the art of cinema to promote peace. In West of the Jordan River Gitai swiftly establishes the principle tenets and aim of the film through a series of outtakes from his earlier works, showing him as a younger man working to chronicle Arab-Israeli relations and the thorny path to peace.

West of the Jordan River is Gitai’s first return to the Palestinian occupied territories since his 1982 documentary Field Diary, and the film portrays the efforts of people from both Palestine and Israel to overcome the effects of the occupation.

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As his synopsis states: «Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.»

«In the film he likens his work to that of an archaeologist.»

In the film he likens his work to that of an archaeologist undertaking a visual diary that excavates the recent history of a path to peace that remains unsolved.

Released last year, where the film screened in the Director’s Fortnight section at Cannes, the film – described by The Hollywood Reporter as an «anguished letter to his homeland» – has only become more pressing as time has passed, given the latest tragic clashes in the West Bank.

Amos Gitai

Now making the rounds of international film festivals (most recently in the Masters section of the Vilnius International Film Festival Kinopavasaris in March), West of the Jordan River comes at a critical point in Middle East politics.

Scratching at the past

«I want to scratch layer after layer to get to the substance of the matter to understand how we could possibly reach some reconciliation in the region,» he says in a clip from Field Diary. Gitai uses the clip as a reference for making a film that stylistically picks up where he left off, examining in «capsules» …

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