Gaza Surf Club
Philip Gnadt and Mickey Yamine
Germany, 2016, 1h 27min.
Gaza Surf Club is a feel-good film about young people in a dire situation who try, against the odds, to follow their dream of surfing using proper equipment. The films opens with a geopolitical introduction of the territory: the Gaza Strip as a locked-in coastal enclave suffering from attacks and blockades from several sides, including the sea; backed by a soundtrack of bombings and news-reports about the fighting. Visually, it sets the stage for the story: maps pointing to the area followed by coastal shots and waves pounding onto the shore. We see images of rubble, destroyed houses, and then we are introduced to a group of enthusiastic surfers. The story is carried by three main character: veteran Abu Jayab (42), fisherman and surfing teacher, who comes across as somewhat embittered by a lifetime of imprisonment in Gaza; Sabah (15), who once excelled at swimming and surfing but is now, as a young woman, forced to abandon her passion; and above all Ibrahim (23), an ambitious surfer who dreams of opening a shop-cum-meeting place and wants to travel to Hawaii to learn the tricks of the trade.
The story of these protagonists is pretty straightforward. Abu Jayab is the oldest and most experienced surfer. He has a small metal shack where he keeps his boards. He has lost hope of ever leaving Gaza. While the sea has stopped providing for him as a fisherman, it offers him his only escape: surfing. Sabah recalls her days as surfer, watching a video made four years earlier with her family. Her father, proud of his capable daughter, was summoned to keep her out of the water by the coast guard when she grew older. But, the focus is on Ibrahim, who combines his jobs in a hospital and a metal workshop with surfing. He dreams of opening a surfing shop, but it is hard to import boards (they are confiscated by Israeli customs), and materials to make and maintain them are not readily available in Gaza. In addition, it is difficult to become part of international organisations. Luckily, Ibrahim has struck up a friendship with Matthew, who invites him to to Hawaii. After a number of futile efforts to get a visa in Egypt, Ibrahim finally manages to obtain one in Jerusalem. He travels to Hawaii where he is immediately confronted with the abundance of consumer products, surfing gear, and scantily clad women. Here, Matthew takes him on a tour visiting workshops.