Bosnia

  • 19th ethnocineca to open with intimate portrait of war, memory, and displacement

    19th ethnocineca to open with intimate portrait of war, memory, and displacement

    The 19th edition of #ethnocineca – International Documentary Film Festival Vienna will open on 8 May 2025, with the Austrian premiere of Home Game by #Lidija Zelovic#. The festival, which runs through May 14 at Vienna’s Votiv Kino and Kino De France, brings a thematic focus on «Hauntings»—a reflection on how history lingers in personal…

  • Nikolaus Geyrhalter: «I don’t like humans as a species.»

    Nikolaus Geyrhalter: «I don’t like humans as a species.»

    INTERVIEW:The 25th Thessaloniki International Documentary Festival paid a tribute to the Austrian filmmaker Nikolaus Geyrhalter (51), with a masterclass and screening of 10 films.

  • Beautiful prisons set in our modern times

    Beautiful prisons set in our modern times

    INTERVIEW: A conversation with Francesco Montagner whose film Brotherhood will have its Czech premiere at IDFF Ji.hlava as part of the official competition.

  • A journey into a world of pain

    A journey into a world of pain

    CONFLICT: A Bosnian’s woman’s search for answers in a darkened theatre.

  • Making sense of murder

    Making sense of murder

    CONTROL: In a violent society, Serbian director Filip Čolović seeks to make sense of his brother's murder.

  • Ideologies and refugees

    Ideologies and refugees

    Migrants: Refugee deterrent border fences add to the already complicated relationship between the Croats and Slovenians of the Kupa region.

  • KARLOVY VARY 2009: A Diary of Her Own

    KARLOVY VARY 2009: A Diary of Her Own

    In July, Karlovy Vary International Film Festival’s annual presentation of up-coming Eastern European documentaries showcased a lexicon of lifestyles – works-in-progress.

  • RADA SESIC: Personal, Political and Poetic

    RADA SESIC: Personal, Political and Poetic

    Rada Sesic, a Croatian/Bosnian film critic and filmmaker living in The Netherlands has experienced war and the difficulties of living in exile, adjusting to a new culture and learning to fit in. She believes that such experiences affect a filmmaker and that films made by filmmakers from areas of war and crisis naturally become political.

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