Chris Marker

  • MDOC Melgaço brings record premieres and new critics’ prize to Portugal

    MDOC Melgaço brings record premieres and new critics’ prize to Portugal

    The #MDOC# – Melgaço International Documentary Film Festival returns this summer with a bold and urgent lineup that spans continents, histories, and identities. From 28 July to 3 August, the festival’s 11th edition will screen 33 films from 23 countries, all competing for the prestigious Jean-Loup Passek Awards, the Don Quixote Award (FICC), and—for the…

  • Dahomey

    Dahomey

    DECOLONALISATION: Blending nonfiction and magic, Mati Diop's Dahomey blends gives voice to looted statues while exploring the complexity of restitution.

  • The aftermath of decolonisation

    The aftermath of decolonisation

    COLONIALISM: Chris Marker, Algeria's independence, and one family's exile intertwine

  • An intense look at the centre of Ukraine during war

    An intense look at the centre of Ukraine during war

    UKRAINE: Part reportage documentary and part poetic road movie, Voyage Along the War shares what everyday life looks like in a war-torn country.

  • At the border of art and anthropology

    At the border of art and anthropology

    Anthropology: On a new, participatory, inclusive artistic anthropology.

  • Brazil’s It’s All True unveils 2021 programme

    Brazil’s It’s All True unveils 2021 programme

    The oldest Latin American film festival devoted to creative documentary, Brazil’s It’s All True – International Documentary Film Festival, has just announced the full programme for its 26th edition (8 – 18 April). This festival will edition will run online and will be free of charge (Brazilian audiences). 69 films from 23 countries will feature,…

  • Ruled by the blindspots

    Ruled by the blindspots

    PERCEPTION: When an image speaks, who does it speak for?

  • A lifetime in film

    A lifetime in film

    IDFA: What can we say about the 2019 IDFA choice of Jørgen Leth (82) and Patricio Guzmán (78) for «Lifetime Achievement Award» and «Guest of Honor» respectively?

  • The overlooked «in-betweener»

    The overlooked «in-betweener»

    Two highlights of Doclisboa 2018 were documentaries from an often-overlooked category – the mid-length film.

Scroll to Top