Doclisboa
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A sense of place
UNITED STATES: A portrait of today’s USA through immaculately composed shots of landscape, cityscape and the spaces in between.
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Invisible woman
MIGRANTS: Philip Scheffner's foray into fiction varies the game of visible and invisible until dreams and reality fuse.
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Searching for Freedom
INTERVIEW: Slovak director Lucie Kašová reveals her relationship to the subjects of both documentaries and shares her personal stance on the socio-political changes that have shaped the situation in Afghanistan in recent months.
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Doclisboa announces colonialism focused retrospective for 2022 festival
The first retrospective for #Doclisboa 2022, (6 – 16 October) will go by the theme of «The Colonial Question». The programme is meant to unfold the colonial pasts of Portugal and France, two countries that share the war period in the African territories and keep resisting a confrontation with their own history. The programme will…
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Palestine, Portugal, pluralism
Let me take this time for more examples identity is problematic. Who-you-are and where-you-belong-to are still debated. As usual, Norway’s Foreign Minister led the Donor Group for Palestine (AHLC) – this time at Oslo City Hall for a couple of hundred participants, such as Palestinians, Israelis, the United States, the EU, Russia, the UN and…
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«We return with a deepened desire to share»
PORTO/POST/DOC: Festival Director Dario Oliveira on the challenges, programme and new additions Porto/Post/Doc experience.
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The sound of digital culture
MUSIC: Three teenagers living in small-town 1970s Norway go on to become one of the 80s top-selling acts, and music pioneers in the process.
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Doclisboa 2021: The complete winners
Doclisboa has announced the winners for its 25th edition, held physically from 21 – 31 October 2021. International Competition City of Lisbon Award for Best International Competition Film: 918 Nights (dir. Arantza Santesteban) Canon International Competition Jury Award: The Safest Place in the World (dir. Aline Lata, Helena Wolfenson) Honorable Mention: Public Library (dir. Clément…
