Exposing the misery of the Mafia
PHOTOGRAPHY: Letizia Battaglia never introduced herself as a photographer of the Mafia. She was taking pictures of Palermo, she says, where the Mafia is simply part of everyday life and routines.
PHOTOGRAPHY: Letizia Battaglia never introduced herself as a photographer of the Mafia. She was taking pictures of Palermo, she says, where the Mafia is simply part of everyday life and routines.
IDFA: Helena Trestikova’s work epitomises the innovative role of long-term filmmaking, and the inextricable link between big and little histories.