propaganda

  • When violence becomes the only way

    When violence becomes the only way

    POWER: According to Hannah Arendt, the use of violence, weapons, and bombs renders us politically voiceless. Can her particular analyses of power teach us anything about the violence being perpetrated from and in Gaza today?

  • Confronting the captors

    Confronting the captors

    ISIS: A shocking and brutal account of the fate of a Danish photographer held hostage held by Islamic State terrorists.

  • Between Revolutions: «I am more fascinated by the archival material than the present»

    Between Revolutions: «I am more fascinated by the archival material than the present»

    REVOLUTION: We joined film director Vlad Petri under a fig tree in Skopje as he reflects on the stories of women's resilience and revolution in his film Between Revolutions.

  • Dark days revisited

    Dark days revisited

    SYRIA: Former ISIS hostage Marc Marginedas returns to Raqqa to confront the ghosts of his past.

  • And, Towards Happy Alleys

    And, Towards Happy Alleys

    IRAN: Indian filmmaker Sreemoyee Singh celebrates Iran's cinema and poetry while shedding light on daily life and the fight for freedom.

  • In the desert landscape of speculation media

    In the desert landscape of speculation media

    MEDIA: Surveys show that more than half of Germany's population believe they receive fake news. In France, 80 percent believe the same.

  • Totalitarianism then and now

    Totalitarianism then and now

    IDEOLOGY: A disintegrated society finds unity, energy, and meaning by uniting around a suitable' enemy'. Totalitarian propaganda has led to the decision to allow Ukraine to use F-16 fighter jets against the nuclear power Russia - with the significant consequences it may entail.

  • The first signs of war

    The first signs of war

    UKRAINE: A compellingly grim account of the country's descent into war.

  • A frozen art for futile times

    A frozen art for futile times

    ART: With the slogan ethics before aesthetics, a group of Serbian artists collectively looked to draw attention to the negative social trends of the time.

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