Lives lost, opportunities wasted

    CHINA: Looking back in anger at the lost chances to help China attain democracy, 30 years after Tiananmen Square.

    Christine Choy is a great character. The Chinese-Korean-American radical filmmaker is usually behind the camera – with a wealth of formidable documentary titles stretching back to the 1960s in her extensive filmography.

    But in The Exiles – this engaging, chain-smoking, hard-drinking, and hard-talking woman is front of camera, weaving the story of what happened to three key characters from China’s nascent democracy movement – crushed by Beijing’s tanks in Tiananmen Square in June 1989.

    Uncompromisingly loud and full of mercurial energy and wit, Choy documented the arrival in America of the student protest movement leaders who had escaped after the brutal crackdown in Beijing that left thousands dead.

    But dozens of cans of 16mm colour footage she and her soundman shot back in 1989 – as a group of exiled Chinese pro-democracy students, intellectuals, and proto-capitalists toured the US that year – were shelved after she ran out of money and moved onto other projects.

    «I lacked the emotional connection to the material,» Choy explains, drawing on yet another cigarette in this compelling documentary shot by Ben Klein, one of her old students from her teaching job as a professor at NYU in Manhattan.

    The Exiles, a film by Ben Klein, Violet Columbus
    The Exiles, a film by Ben Klein, Violet Columbus

    Raw and engaging

    Had she been in Tiananmen Square on the fateful night of June 3-4, when China’s Communist leadership sent in units of the People’s Militia and columns of tanks to brutally suppress a mass movement demanding democracy and free speech – she might have felt differently.

    But Choy had left China as a teenager. Although she watched the events of Tiananmen Square unfold on television along with millions around the world, she found it hard to connect with the young men and women who subsequently escaped and came to America to plead their cause and seek support for building on the foundations soaked in the martyred blood of the young protestors.

    The footage, raw and engaging, is presented complete with outtakes and sound checks. Formatted within a 1980s colour-graded style, it is immediate and spellbinding – both historic and old-fashioned and intensely now at the same time.

    Christine Choy is a great character.

    Passionate characters

    We see, hear and feel the passion in the speakers – three of whom Choy reconnects with in The Exiles to bring the story of their lives after Tiananmen Square up to date.

    There’s Wu’er Kaixi, an intense, slender man of 21, talking to the crowds of students in Beijing before the fatal assault in footage from one of the Western companies (such as CNN, then known as Cable News Network) that covered the protests.

    And here he is, exhausted and passionate, speaking to the press or students at the first even Chinese-American Student Congress after escaping.

    And today, living in Taiwan, politically active and lecturing, still passionate, still – as a dissident and member of the Muslim Uyghurs minority – not allowed to visit his now aged parents in Xinjiang.

    The intellectual force behind the protests, Yan Jiaqi, a politics professor who backed the students and later fled with his wife but left their son behind (subsequently re-united in America, we learn), talking earnestly about how democracy must . . .

    Dear reader. To continue reading, please create your free account with your email,
    or login if you have registered already. (click forgotten password, if not in an email from us).
    A subscription is only 9€ 🙂

    What about a subscription, for full access and 2-3 print copies in your mail a year?
    (Modern Times Review is a non-profit organisation, and really appreciate such support from our readers.) 

    Nick Holdsworth
    Our regular critic. Journalist, writer, author. Works mostly from Central and Eastern Europe and Russia.
    26th Ji.hlava IDFF unveils 2022 visual identity, early programme highlightsThe 2022 Ji.hlava IDFF has announced the first programme highlight of this year’s edition - the latest film by...
    DocuDays UA brings National Competition films, works-in-progress, more across Sheffield Doc/Fest activitiesIn solidarity with Ukraine, Sheffield DocFest's «Password: Palianytsia» is a collaborative doc programme with #Docudays UA#.The programme with DocuDays...
    Chile continues worldwide documentary circuit with Sheffield Doc/Fest official selectionsFollowing a successful Sunny Side of the Doc, Sheffield Doc/Fest’s 29th edition will also feature a considerable Chilean presence.Breaking...
    NEOLIBERALISM: Breaking the Brick (dir: Carola Fuentes, …)Breaking The Brick plucks us into the heat of Chile's social unrest, reliving the Chicago Boys' contentious legacy.
    UKRAINE: One Day in Ukraine (dir: Volodymyr Tykhyy)A glimpse of the war as experienced by Ukrainians every day since Russian forces invaded on February 24, 2022.
    DOCS: Subject (dir: Jennifer Tiexiera, …)Some of the biggest non-fiction films of the past years go under the microscope, investigating the ethics of documenting trauma.
    ISRAEL: H2: The Occupation Lab (dir: Idit Avrahami, …)The story of the eastern side of Hebron, a microcosm of a conflict and a test site for control throughout the West Bank.
    ABUSE: Look What You Made Me Do (dir: Coco Schrijber)Three survivors of domestic violence who have murdered their abusers are given a chance to tell their stories.
    POLITICS: My Imaginary Country (dir: Patricio Guzmán)At Cannes, Patrizio Guzmán´s documentary offers one of the rare elements of hope in global politics.
    - Advertisement -

    You might also likeRELATED
    Recommended to you