The thought provoking realities of Jayisha Patel’s shortfilm Circle, stands in stark contrast to the realities of the cotton-picking corner of Alabama – portrayed in Maris Curran's short While I Yet Live.
Neil Young
Neil Young
Young is a regular contributor to Modern Times Review.
Published date: April 10, 2018

Not so very long ago, most documentaries were short films and most shorts were documentaries. The Berlin International Film Festival – the Berlinale – introduced the Golden Bear for Best Short Film at its sixth renewal in 1956, and the first thirteen winners were documentaries. It wasn’t until 1971 that a live-action fiction triumphed: Paul B. Price’s 1501½.

Nearly five decades on, the tables have decisively turned. At the 68th edition of the hugely popular festival that ran from February 15-25 this year; 22 shorts vied for the Golden Bear – 13 of them fiction. But even this ratio far exceeded the features slate, in which only one of the 19 contenders could be classed as a documentary.

Of the 21 directors in the Golden Bear features competition, four were female (19 per cent). Among the shorts, however, the gender-balance was almost exactly twice as healthy: 9/24, or 38 per cent. Among these, two documentary standouts dealt most directly and powerfully with women’s experiences: Jayisha Patel’s Circle and Maris Curran’s While I Yet Live.

In each instance, the directors deploy the short-film format – both films run roughly a quarter of an hour – to explore subjects and …


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