Commentary

  • Warsaw / Krakow 2010: The Two Polands

    In Warsaw the events focus on bringing acclaimed foreign documentaries to Polish audiences, in Krakow the Festival concentrates on promoting Polish films to an…

  • POV IRAN: Threatened from within

    Iran’s Revolutionary Guard points to fresh dissent within oppressive regime. A television film gives us first-hand testimony from recent defectors.

  • WORKSHOP: Why are you making films? Why this film? Why through film?

    DOX’s Willemien Sanders reports from an 18-month workshop. This is the first of three reports from the Amsterdam-based Binger Filmlab

  • IDFA 2010: Multiple times in documentaries

    Three documentaries show that history can be understood in terms of time periods of different duration: A single event such as an airship trip…

  • How we see North Korea

    Tension escalates between North and South Korea after the torpedoing of a South Korean military ship in May. In North Korea, prison camps, murder,…

  • ETHICAL DILEMMAS: Docs under duress

    What are the ethical dilemmas of telling real stories in war time? And, to what extent will filmmakers go to tell those stories?

  • IDFA 2009: Any possible social impact?

    Documentary’s effects span from long views of history to intimate life. A movie may rewrite the past through the present, or a documentary may…

  • OPEN SOURCE FILMMAKING: The remix culture

    At a seminar at the Nordic Panorama Film Festival in Reykjavik last autumn I learned that current media developments are threatening the survival of…

  • SUNDANCE 2010: New frontiers at Sundance

    The New Frontier programme offers both installation space and film section. The space showcases media works that straddle the boundaries between art, cinema and…

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