Commentary

  • People helping people

    Business model 2.0: get your personal audience to support your personal art. In the US filmmakers have managed to finance several films through the…

  • FEATURE: The first Internet blockbuster

    In the absence of critical investigation by mass media, three young men challenged the official version of the American 9/11 events. Several other documentaries…

  • EDITORIAL: Why criticism?

    With this new edition of DOX, critique will be central

  • Megacities

    Today an explosion of huge megacities is posing serious local and global challenges: equality, pollution, sustainability, climate, space and infrastructure. The documentary series Cities…

  • NEW HISTORICAL DOCUMENTARY: Truth as an inspiration

    Some filmmakers working with the feature documentary genre want to reconnect us with History itself, enticing audiences to actively engage with the ever-changing, politically…

  • JIHLAVA 2009: Illuminations and illusions

    The young festival team at Jihlava offered us an insight into what the Czech past and reconstructions of their inheritances have to offer today.…

  • POV: More than screamers?

    The people who described the concentration camps during the second world war were referred to as “screamers”. This referred to the fact that they…

  • CANNES 2009: No Body to Film

    Three films in Cannes have remembrance in common: One about a dead wife, one about a dead husband and one about numerous deaths in…

  • FROM ISRAEL WITH LOVE

    What kind of documentaries are produced in the Middle-East? We look into "A History of Israeli Cinema", the latest of the film festivals held…

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