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  • THESSALONIKI 2005: Fresh Sea Breezes

    Two very different films caught the author’s attention at Thessaloniki Doc fest in March. Despite their difference, they both demonstrated that it is what…

  • JOURNALISM AND DOCUMENTARY: A Perfect Blend

    There is this general perception that you are either a journalist OR a film director. But what if you do not feel comfortable in…

  • SARAJEVO 2005: A Regional Focus

    The Sarajevo Festival celebrated its 10th anniversary last August with a selection of feature films and documentaries. Ten years after the festival was established…

  • DOCUMENTARY HISTORY: Dziga Vertov and the ‘Factory of Facts’

    Dziga Vertov (1896-1954) remains one of the most influential documentary filmmakers. Yet – aside from the astounding The Man with a Movie Camera (1929)…

  • VIKALP: an Alternative to Censorship

    A group of Indian filmmakers created an alternative festival to the MIFF in twenty days on a shoestring budget. The festival evolved from a…

  • STEPS FOR THE FUTURE: Initiative With Impact

    The "Steps for the Future" doc collection was established to take an innovative approach to addressing the serious HIV/AIDS problems in Southern Africa. A…

  • Re-enactments to Entertain

    Re-enacting events is a growing trend in history documentaries. This was one of the issues highlighted at the third World Congress of History Producers…

  • SUNNY SIDE 2003: Iranian Insights

    As Sunny Side of the Doc was celebrating record-breaking numbers of projects and buyers, five filmmakers from Tehran silently arrived in Marseilles. Somewhere at…

  • KERALA FILM FEST 2003: Rebirth of an Indian Festival

    So far, India has had only one major festival of docs and shorts – the Mumbai International Film Festival, which started as a biannual…

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