Commentary

  • NEW AUSTRIAN DOCS: Trademark – Proper Research

    In Austria several public bodies provide film funding for documentaries, giving filmmakers a base on which to deal with Austrian issues, instead of having…

  • TG4: MINORITY-LANGUAGE BROADCASTER: A Window for Embattled Languages

    TG4, the Irish Gaelic language broadcaster, faces the same struggle for ratings that ‘normal’ broadcasters do, i.e. going for the least expensive programmes.

  • Not a Word about Belly Dancing

    TUE STEEN MÜLLER visited Istanbul just before the Iraq War started. He found an isolated, politically engaged, relatively big documentary community that organizes a…

  • Interactive documentary: When Spectators Become Players

    LUCINDA BROADBENT participated in Mediamatic’s workshop Non-linear Storytelling for Documentary Makers’ at IDFA November 2002. She shares her experiences in creating an interactive documentary…

  • Two British producers had a strong desire to bring Chinese directors to Europe to present China to Western audiences. They started out with a…

  • IDFA 2002: The World in Short

    During the years 1995-2000, a IDFA Silver Wolf prize was annually awarded to docs made on video, parallel to the Joris Ivens celluloid film…

  • HERZ FRANK: 76 Years Older

    Grand documentary filmmaker Herz Frank has been working for three years on his latest film "Flashback". The result is not only a new film…

  • POLITICAL FILMMAKING: Go Film It

    In "August, a Moment Before the Eruption", Avi Mograbi portrays the hot month of August as a metaphor for the omnipresence of violence, anger,…

  • CINÉMA DU RÉEL 2002: The ART(E) of Representing Reality

    For a decade the cultural channel ARTE has been broadcasting high quality documentaries to European audiences. Considered elitist by some and truly creative by…

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