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  • Correct Me If I'm Wrong Hao Zhou

    Oberhausen 2025: Nature, demons, and us

    REPORT: From mystical birds to salt mines, Oberhausen’s films question human-nonhuman boundaries and challenge cinematic conventions

  • The Mountains Won't Move Petra Seliškar

    The Mountain Won’t Move

    NATURE: The poetic rhythms of shepherding life in North Macedonia amidst breathtaking mountain landscapes and modern encroachments.

  • Another Body Sophie Compton, Reuben Hamlyn.

    Real bodies, fake bodies: the dichotomy of female objectification

    GENDER EQUALITY: From Kurdish villages to college campuses, gender-based abuse knows no boundaries.

  • Pure Unknown Mattia Colombo Valentina Cicogna

    Dead humans are also humans

    DEATH: When the Mediterranean rejects the nameless, who restores their dignity?

  • Look What You Made Me Do, a film by Coco Schrijber

    On the murderer’s side

    ABUSE: Three survivors of domestic violence who have murdered their abusers are given a chance to tell their stories.

  • This Stolen Land of Mine, a film by Marc Wiese

    Recolonising Ecuador

    NEO-COLONISALISM: Ecuadorian indigenous resistance against their homeland's resource exploitation at the hands of China.

  • Users, a film by Natalia Almada

    The world of tomorrow

    CONTROL: A dystopic visual essay reflecting on the filmmaker’s children’s future in a technological world.

  • Soldiers, a film by Willem Konrad, Christian von Brockhausen

    The bodies made for war

    CONFLICT: As Germany switches its military apparatus more akin to the USA, it is those without opportunity and means frequently finding themselves on the frontlines.

  • Once Upon a Time in Venezuela- Anabel Rodríguez Ríos-MTR

    Left in the mud

    CORRUPTION: Political turmoil and ecological catastrophe come together in Venezuela's existential fight for survival.

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