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Staying with the trouble: the radical work of CAMP
CAMP wants to challenge the triangular relationship of author, subject and technology, thereby splintering the privileged gaze and our standard mode of perception.
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NIELS PAGH: Body and breath
NIELS PAGH started his career as an assistant to two of Denmark’s most important editors: Christian Hartkopp and Janus Billeskov Jansen. Since 1979, freelance film editor, more than 250 films.
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THE PUNK CHILD OF ART: SEEING AND BEING SEEN
Like a band of filmic pirates, the Sensory Lab plunders what they need from documentary to create something fresh. These are musings arisen from discussions with Lucian Castaing -Taylor and works from the lab.
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To film is also to intervene
Emad gets five cameras smashed, but he keeps on filming and gives us a rewarding insight into Palestine-Israel relations.
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EDINBURGH 2010: About Absence
The orangutan Nenette in Philibert’s film is like the Mona Lisa: a victim of her rarity, drained by curiosity. We watch her watching us watching her, writes Emma Davie. Another film in Edinburgh which also explores the “unseen” was The Edge of Dreaming.
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VISIONS DU RÉEL 2006: Of Flesh and Blood
The films at the 2006 Visions du réel festival inspired reflections on how to represent suffering in documentaries.
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NON-MAINSTREAM FILMS: When Words Fail
Documentaries concerned with seeking new ways of expressions, sometimes created in a cooperative effort involving various art forms, are mostly living in obscurity.
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JEPPE RØNDE: At Home on Strange Ground
Both feature docs by young Danish filmmaker Jeppe Rønde “Jerusalem My Love” and “The Swenkas”-have been enormously successful at festivals round the world.
