The Director’s Turn
Directors of documentaries are worried about staying up to date. Compared to their producer colleagues, they are offered very few opportunities for further professional training in the form of courses and workshops.
Directors of documentaries are worried about staying up to date. Compared to their producer colleagues, they are offered very few opportunities for further professional training in the form of courses and workshops.
Dreaming of a better life, migrants from the Northeast of Brazil speak about the city of São Paulo, and sing it in prose, songs, stories and multiple sounds.
An intimate, picaresque inquiry into French life as lived by the country’s poor and its provident, as well as by the film’s own director, Agnes Varda.
Street booksellers in the U.S. need no licence, because they are protected by the First Amendment to the Constitution, which says that everyone has the right to distribute literature. However, with his “Quality of Life” campaign to clean up the city, New York’s controversial mayor Giuliani has given the NY booksellers a hard time. That’s what triggered filmmaker and then-bookseller Jason Rosette to document the lives of the street booksellers in Greenwich Village.
This is a documentary about direct-cinema from its very beginnings (Nanook of the North) to the fake-direct-cinema of the Blair Witch Project. All the important direct-cinema filmmakers are portrayed and/or interviewed: Leacock, Wiseman, Maysles, Pennebaker, Reisz and others.
Filmmakers from the Balkan countries have been overtaken by their foreign colleagues in documenting the Balkan reality.
It is probably the weirdest home video you’ll ever see. Ricardo Lopez, a troubled youth from Florida, made an extensive video diary preceding his suicide.
First of all, this documentary is a real pleasure to watch. The camerawork is excellent and the music and soundtrack play a magnificent role for the pace and montage.