The twentieth edition of Thessaloniki Documentary Festival embarks on rediscovering the experiences from the 1968-revolutions.
Thessaloniki Documentary Festival 2.-11. March 2018
Translated by Marielle Sjømo Samstad
2018 marks the 50th anniversary of 1968 – the year where numerous rebellions, protests and several comprehensive demonstrations worldwide culminated. No matter where in the world, 1968 was a year that left its traces in the 20th century. By screening seven documentary films – produced between 1968 and 2017 – less known sides of this legacy from the Far East, United States, Latin America and Central Europe are uncovered. 1968 is synonymous with rebellion and hope of a different and better future through fight – more specifically, in the anti-imperialistic fight for independence and in the anti-bureaucratic fight in the Soviet nations and in the Western societies. Where the colonised world fought for liberation from the American imperialism’s supremacy, the «Prague spring» made a fight for independence to raise a national sovereignty against Soviet hegemony.
1968 in France
If one single documentary film at the festival should be highlighted, it must be the two-hour long In the Intense Now (2017), directed by João Moreira Salles. In the documentary, we are introduced to many important fragments and situations from the epicentre of the 1968-events. Here you get close to the First Secretary Aleksander Dubcek in the power game over Czechoslovakia, which is widely known to have ended with the Soviet invasion. It also contains recorded footage of the hectic days in May, with young students in completely unfamiliar situations, answering questions from worried parents who haven’t seen their children for several days.
During the year 1968, history changes its rhythm. In France, the young people of the working class in Paris were in large numbers drawn towards universities that appeared to be of authority. This combined with the general resistance towards the American imperialistic warfare in Vietnam, led to protests and demonstrations. The young working class didn’t feel as home in the universities. Like expressed by the student leader Daniel Cohn-Bendit on national TV: the nation has always used exams as a social mechanism of exclusion for protecting the privileged interests. Cohn-Bendit is recognised as a student leader at the centre of demonstrations and on TV. He used a direct political language and drew the attention towards the social circumstances that many of the French, in the given situation, experienced as out-dated and unfair. His political language didn’t only contradict the authority, but also exposed the Stalinist and social democratic organisations and leaders’ negligence.
Revolution as improvised theatre
For most of the young people it was almost like comparing it to improvised theatre where the pleasure never really set in, and the part – because of missing information and schooling – would make the play seem amateurish. And where would it all lead?
«During the year 1968, history changes its rhythm.»
The philosopher Jean-Paul Sartre wondered and inquired the students’ actual plan. Naturally, the opposites of de Gaulle didn’t want to become part of a government with a background in a general strike. Therefore the president could – seeking the dictatorship as immediate imminent – discharge new elections. This caused a stinging defeat for students and workers. Who other than Stalinists and social democrats and their historical neglect could the student and workers blame in that situation for their pain and inadequacy they felt?