Afghanistan

  • Laila, mother of the addicts

    Laila, mother of the addicts

    DRUGS: Laila at the Bridge takes the viewer on a harrowing journey to Kabul’s dark underpass, following a woman who attempts to save as many drug addicts as she can.

  • From a war reporter’s point of view

    From a war reporter’s point of view

    Dying to Tell is a portrait of Spanish war correspondents around the world, retelling the sense of thrills associated with adrenal warfare, as well as the traumas experienced during war and in its aftermath.

  • From a child’s perspective

    From a child’s perspective

    ANIMATED MOVIES: Girls dressed as boys in Kabul and Tehran’s underworld of sex, drugs and rave music are portrayed through the eyes of children in the animated movies The Breadwinner and Tehran Taboo.

  • Elite liberalism + mass nationalism = true

    Elite liberalism + mass nationalism = true

    GLOBALISATION: For political scientist Jean François Bayart, globalisation and the development of national identity are complementary processes.

  • Afghan Girl Power

    Afghan Girl Power

    AFGHANISTAN: If you want to run a school for girls in Afghanistan, you might have to check your water for poison each morning. Is it worth it?

  • A Model Refugee

    A Model Refugee

    Rokhsar Sediqi is a 14-year old who lives with her mum, dad and five siblings in the Danish countryside. She has waited four years for a leave to remain in Denmark.

  • In the waiting room of martyrdom

    In the waiting room of martyrdom

    EURODOK: Two young men are waiting to be called to action as suicide bombers in Syria. Pål Refsdal’s recent documentary depicts a surprisingly intimate portrait.

  • DRONES: A Little Piece of Norway

    DRONES: A Little Piece of Norway

    The threshold for killing someone is lower when you do not have to see those you kill. New leaks reveal the brutality of the US drone programme.

  • Two approaches to war

    Two approaches to war

    From San Francisco International Film Festival: Andrei Nekrasov and Olga Konskaya captured the immediate aftermath of the bombing, shooting, and looting during the intense 2008 conflict between Russia and Georgia. Two other filmmakers focus on the everyday life of a single US army platoon stationed in the Korengal Valley in Afghanistan – showing just how…

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