conflict

  • «It is important for us to give a voice to different film forms and storytelling»

    «It is important for us to give a voice to different film forms and storytelling»

    DOCAVIV: Artistic Director Karin Rywkind Segal on the festival's 23rd edition.

  • The bodies made for war

    The bodies made for war

    CONFLICT: As Germany switches its military apparatus more akin to the USA, it is those without opportunity and means frequently finding themselves on the frontlines.

  • Skeletons and reflections of a Nazi past

    Skeletons and reflections of a Nazi past

    CONFLICT: The story of the Nazi officer responsible for saving Jews and Poles alike elicits a passionate debate and reflection in his German hometown

  • Filtering the truth of war through the lens of cinema

    Filtering the truth of war through the lens of cinema

    HISTORY: Ever since they met in 1911, the moving image and war have had a contentious relationship

  • A young woman’s might

    A young woman’s might

    SYRIA: After aiding in her region’s liberation from ISIS, 19-year old Hala must now do the same for her sisters arranged marriages.

  • The new demon of war

    The new demon of war

    CONFLICT: The advent of artificial intelligence and digitalisation of weapons has shifted traditional battlefields into remote operations in the name of wartime «progress».

  • Poetry of pain

    Poetry of pain

    REFUGEES: Gradually cut off, the civilians of the world’s largest Palestinian refugee camp organise themselves to resist starvation and despair.

  • The «disappeared»

    The «disappeared»

    CONFLICT: The abductions and disappearance of over 100,000 Syrians reveal yet another aspect of a cruel war strategy.

  • Everything is other people’s fault

    Everything is other people’s fault

    MEDIA: Where advertising gives a feeling of well-being, desire and pleasure, new media consumption gives one of paranoia, anger and mistrust. Hate sells. Even on Capitol Hill.

Scroll to Top