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  • The Moelln Letters

    The Moelln Letters

    RACISM Decades after the Mölln arson attacks, The Moelln Letters exposes how solidarity letters were concealed, revealing structural racism’s grip on historical memory.

  • Cinematic ethics – and dilemmas

    Cinematic ethics – and dilemmas

    ETHICS: What can a festival's Inspiration Forum inspire us to do? We live in a world of representations, of pictures, war manipulating us as humans, and what about our relation to nature? Can an old philosopher show us a way?

  • Nikolaus Geyrhalter: «I don’t like humans as a species.»

    Nikolaus Geyrhalter: «I don’t like humans as a species.»

    INTERVIEW:The 25th Thessaloniki International Documentary Festival paid a tribute to the Austrian filmmaker Nikolaus Geyrhalter (51), with a masterclass and screening of 10 films.

  • The adaptive autocrats

    The adaptive autocrats

    AUTHORITARIANISM: What happened after the height of freedom ideals, the fall of the Iron Curtain and Bill Clinton's fusion of liberal politics with market forces? Today, the Chinese's mastery of original Western technology and surveillance seems limitless.

  • Future in the past

    Future in the past

    DOCUMENTARY: In a rigorous collection of essays, The Companion offers an in-depth, global examination of central historical issues and approaches in the field of documentary.

  • Is a revolution possible?…and what can it mean?

    Is a revolution possible?…and what can it mean?

    PROTEST: The goals and contradictions of a modern protest movement - the yellow vests.

  • Making sense of murder

    Making sense of murder

    CONTROL: In a violent society, Serbian director Filip Čolović seeks to make sense of his brother's murder.

  • The world of tomorrow

    The world of tomorrow

    CONTROL: A dystopic visual essay reflecting on the filmmaker’s children’s future in a technological world.

  • The future place for human beings: a zoological garden

    The future place for human beings: a zoological garden

    CONTROL: The Léa Rogliano and Pierre Hujoel Documentary What the Eye Doesn’t See is an inspiring work for extensive reflections.

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