Cinema and the post-truth world
REALITY: Cinema’s unique role in investigating reality, fiction, AI-driven propaganda, and how imagination shapes our perceptions in the post-truth world.
REALITY: Cinema’s unique role in investigating reality, fiction, AI-driven propaganda, and how imagination shapes our perceptions in the post-truth world.
TRAUMA: Two Sarajevo Film Festival-premiered films take a justice-seeking women’s journey, revealing the resilience of rape survivors.
OPPENHEIMER: The mainstream embraces sex and death in nuke movie.
ARMENIA: A harrowing, engrossing story of Aurora Mardiganian who finds herself in the throes of the Armenian genocide.
DOCUMENTARY: In a rigorous collection of essays, The Companion offers an in-depth, global examination of central historical issues and approaches in the field of documentary.
CINEMA: Four films and two books – can they capture something about this newly dead legend of cinema? Let me try, especially with Godard’s intellectual autobiography and two new films about him.
FEMININITY: Two films from Nordisk Panorama observe groups of women going against social conventions in claiming back youth on their own terms.
GAZE: The mechanisms of exploitation of women as sexual objects in Hollywood films, exposed.
SEX: Exploring the female body in Hollywood by tracing the making of sex scenes, the toll it takes on those involved, and what it means for women in the real world.
VIEWS: Beginning with a flawed premise, British filmmaker Michael Winterbottom’s book of interviews does not provide the full picture.
INDIGENOUS RIGHTS: Promised dominion over their own rainforest territory, Brazil’s Uru-eu-wau-wau people have since faced illegal incursions from mining companies and land-grabbing invasions spurred on by right-wing politicians.