Slavoj Zizek

  • The Pervert’s Guide to Utopias

    The Pervert’s Guide to Utopias

    PHILOSOPHY: In the grand conclusion of his Pervert's Guide trilogy, Slavoj Žižek wants us to embrace the end of the world with a healthy dose of radical pessimism.

  • Porto/Post/Doc announces first titles for 2024 festival

    Porto/Post/Doc announces first titles for 2024 festival

    The upcoming edition of the Porto/Post/Doc festival has unveiled several sections of its programme. Spread across multiple strands, this year’s festival confronts issues of identity, memory, history, and cultural expression. One of the central highlights of the festival is the thematic program, «Europe Does Not Exist, I’ve Been There». This program addresses the complex question…

  • Being in the opposing position

    Being in the opposing position

    ŽIŽEK: Despite being a public intellectual for at least 30 years, there has been no previous discussion of Slavoj Žižek's thought as multifaceted and nuanced as the one we see in the current anthology. But does Žižek recognise the revolutionary potential of desire?

  • We can all be like Paul

    We can all be like Paul

    PASOLINI: The apostle Paul shows the revolutionary power of fighting for a cause that defies the usual course of contemporary life. Paul becomes the symbol for creating a new reality and defeating hegemonic power. But can we imagine there is a Paul in Israel today?

  • The last warning

    The last warning

    PHILOSOPHY: Drawing from The Triple Life of Antigone by Slavoj Žižek, this film reflects on today’s environmental and political «chaos».

  • Marx, where did all your revolutionaries go?

    Marx, where did all your revolutionaries go?

    PHILOSOPHY: Narrating his own reminiscences, Christian Labhart spans decades reflecting on the political earthquakes of his lifetime.

  • Revolution and Power

    Revolution and Power

    OCTOBER 1917: What can books and films tell us about the 1917 revolutions?

  • His theatre of thought

    His theatre of thought

    Slavoj Žižek’s philosophy in this film continually refers to sequences in films, but also Immanuel Kant, hardcore pornography, Wagner and caffeine-free coffee.

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