TRAUMA: An innovative, challenging, and disturbing examination of rape told through a narrative explored by survivors - and perpetrators of sexual violence.
Nick Holdsworth
Nick Holdsworth
Our regular critic.
Published date: June 1, 2020

Alexe Poukine tackles challenging subjects in her films. Her first feature documentary (Dormir, dormir dans les pierres) focused on the harsh lives of the homeless. In her second full-length documentary That Which Does Not Kill, rape is her subject.

Deconstruction

This is a difficult film to watch for both women and men, but Poukine’s approach – to use the (presumably true) story of Ada, a young woman subjected to rape and sexual violence by her boyfriend, as told by other women who have suffered similar experiences – allows a space to explore a subject around which so much fear, taboo, and myth have been constructed.

She seeks to expose the bitter truth of rape – that the cartoon monster we all imagine a rapist to be is often not the case at all. And she includes two men among the cast retelling Ada’s story, both of whom candidly admit that they have forced their desires on partners without consent.

The power of Alexe’s approach is that it takes some while to realise that the women recounting a story of a naïve young college student who finds herself subject to the aggressive approach of a boyfriend she barely knows are acting out …


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