With shy, pensive, and at times monosyllabic characters, director Tinatin Gurchiani paints a compassionate and somewhat melancholic portrait of Georgia’s eclectic new generation.
Slavoj Žižek’s philosophy in this film continually refers to sequences in films, but also Immanuel Kant, hardcore pornography, Wagner and caffeine-free coffee.
How can you violate basic ethical standards of documentary filmmaking? Iranian–American gadfly Caveh Zahedi discovers the structures of influence in his latest doc The…