DOKUFEST: For a small nation bereft of the right to travel, a documentary festival is a way to see the world.

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Emma Bakkevik
Emma Bakkevik is a translator and freelance writer. She is a regular contributor to Modern Times Review.
Published date: July 29, 2019

DokuFest International Documentary and Short Film Festival is the largest film festival in Kosovo bringing more than 200 hand-picked films from around the world to the cinemas and improvised screening venues around Prizren’s historic city center. With its 18th edition occurring 02-10 August, 2019, Modern Times Review spoke with the festival’s Artistic Director, Veton Nurkollari.

How did you get the idea to start a documentary film festival in Kosovo?
To be honest, we never really had a visionary idea of establishing a film festival that would become such an important cultural event in this country. The only remaining cinema in the city of Prizren was closed at the time, and we thought that if we start something involving films, the cinema might start working again.

In 2016 the theme of the festival was «corruption». In your opinion, do documentaries have the potential to create social and/or political change?
I believe they do, albeit not as much as I would like them to. But they can certainly bring awareness and create change. Films dealing with climate change issues or migration have proven this lately, I think. The theme «corruption» did cause some reaction from the country’s political establishment, but nothing serious – we may have lost one or two sponsors, but we also gained respect, I’d say.

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