In recent years, the documentary film has grown into great classic art in my consciousness. It deals with profound themes, profound feelings. Therefore, I must apply profound words from my European background. In my opinion, this is what we have to offer the global community alongside the many calamities. So this short essay will deal with profound words. I want to link them to three films I have seen, enjoyed and thought about.
These films were made in an era when things were really humming: political upheaval, new opening to the East, retrospective studies, the extent of the crimes and the identity of the traitors.
The Crime
Children, Kosovo 2000 is the . . .
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