Talal Derki’s new feature documentary gives a rare insight into how the sons of the al-Nusra warriors in the Idlib Governorate of Syria are being raised to become the next generation of jihadists.
Of Fathers and Sons
In his previous film – the award-winning The Return to Homs – the Syrian filmmaker closely followed rebels from the Free Syrian Army during the battles in the besieged Homs. In Of Fathers and Sons – which premiered in November at the international documentary festival in Amsterdam – he got the rare opportunity to get on the inside of the al-Nusra front, located in the Idlib Governorate in the northwest of the country. This time, the focus is the children that represent what Derki himself has referred to as “the lost generation in Syria”, as they have never experienced anything else than war.
Disguised as a sympathiser
The premise of the documentary in itself is extremely dangerous for the non-religious filmmaker. In fear of being kidnapped or executed, Talal Derki presented himself as a war photographer sympathising with the jihadists and their ideology, claiming that he wanted to learn more after experiencing a religious awakening. He told the extremist group that he wanted to make a film about their lives, and especially of the children and what it is like to grow up under these circumstances. The latter statement is however truthful. For more than two years Derki follows the al-Nusra warrior Abu Osama and his eight children – whereas some of them are more prominent in the film than others.
In addition to Abu Osama, his two oldest sons, 13-year-old Osama (according to his father named after Osama Bin Laden) and the one year younger Ayman, are the essential characters in the film. Their father is proudly explaining how he prayed to God for a child to be born on the symbolic date of 11th of September – a wish he got fulfilled six years after al-Qaidas attack on the United States. This son was named after the Afghani Taliban leader Mohammad Omar.
«The premise of the documentary in itself is extremely dangerous for the filmmaker. »
Absence of women