The Other Side of the Sun
SYRIA: Survivors walk back into the cells that shattered their lives, recounting brutality inside one of Syria’s most feared prisons.
SYRIA: Survivors walk back into the cells that shattered their lives, recounting brutality inside one of Syria’s most feared prisons.
ROJAVA: Ross Domoney and Danny Mitchell spin a short but satisfying documentary about the ideas of 1970s US radical Murray Bookchin as realised in Kurdish Syria.
JOURNALISM: A savage novel punctures war correspondent hero myths, exposing careerism, entitlement, and the fixer who does the real work.
GAZA: On Francesca Albanese’ fifth report to the UN Human Rights Council.
SYRIA: Life in post-siege Homs is marked by rubble, silence, and voices determined to remember, mourn, and somehow endure.
MILITARISM: Techno-nationalism has strengthened Turkey’s proactive foreign policy, promoted national pride and reinforced the image of a powerful state. The ‘zero problems with neighbours’ paradigm that characterised Turkish foreign policy in the 2000s has been abandoned in favour of a more interventionist approach under the doctrine of ‘security at all costs’. In 2002, the total volume of defence industry projects was a modest USD 5.5 billion – by 2023, it will rise to over USD 96 billion.
CORRUPTION: Alexis Bloom’s gripping exposé of the web of lies apparently woven by Israel Prime Minister Benjamin Netanyahu to avoid corruption charges shows how one man’s fear of jail has led to war and instability in the Middle East.
BIFED: Ahead of its 11th edition, Modern Times Review spoke with Festival Coordinator Ethem Özgüven and Festival Director Petra Holzer on the festival’s origins, mission, and the challenges and opportunities ecological documentary filmmakers face today.
PALESTINE: The blind obedience of radical Israeli settlers, their leadership influence, and the state of Israel’s displacement tactics.
CONFLICT: The ethical complexities and societal implications of war tourism in our media-driven world.
CONFLICT: A short doc follows a researcher as he probes children’s trauma-induced nightmares.
Cataloguing the horrors of the war in Ukraine becomes an obsessive search for the last perfect picture to crown an award-winning career for Dutch war photographer Eddy van Wessel.