MEDIA: The Bellingcat group is on the frontline of an urgent counter-movement against the manufacture and dissemination of lies that are destabilising traditional journalism.
WAR REPORTER: Marie Colvin covered all the main conflicts of our time, always with the same aim: not only to bear witness, but to bring action.
The documentary Under the Wire provides a first hand account of what really transpired during the early days of the war in Syria during the siege of Homs and the attack that killed war correspondent Marie Colvin.
War reporter Rania Abouzeid gained unprecedented access to the heart of the Syrian conflict by clandestinely entering Syria over a number of years. No Turning Back tells the Syrians stories.
Faith and Resistance argues that religion and rational thought are compatible.
In the exclusive fly-on-the-wall footages in Vitaly Mansky‘s Putin’s Witnesses, we’re offered a glimpse into Vladimir Putin‘s raise to power – from his early promises of media freedom to the flagrant disregard of democratic norms.
Inside the Mossad reveals the former Mossad agent insider spy stories – some of them even about recent incidents. One may expect to see more in this genre, but not necessarily just from Israel.
Cinema Futures is both a poetic farewell to a disappearing medium and a complex analysis of the mixed aspects of digital revolution.
Dying to Tell is a portrait of Spanish war correspondents around the world, retelling the sense of thrills associated with adrenal warfare, as well as the traumas experienced during war and in its aftermath.
Hanaa (2017) describes the life and destiny of four young women around the world and how through myths, superstitions and beliefs patriarchal will is imposed on them.