Afghanistan

  • No escape

    No escape

    CONFLICT: Eléonore Weber's chilling compilation of military footage reveals the casual killing by men in flying machines who risk nothing in the pursuit of state-sanctioned murder.

  • The tragic destiny of Afghan cinema

    The tragic destiny of Afghan cinema

    CINEMA: Marked by violence and oppression, Afghanistan’s recent history, Ariel Nasr’s documentary shows the invaluable nature of cinema.

  • The art of displacement: mobiles on the migrant trail

    The art of displacement: mobiles on the migrant trail

    MIGRANTS: The Fazili family shoots their perilous journey from Afghanistan through the Balkan migration route to an uncertain future on three mobile phones.

  • Fragments of experience

    Fragments of experience

    MUSIC: Across Afghanistan, Kosovo, and Washington DC, musician PJ Harvey and photojournalist Seamus Murphy craft a beautifully shot, sensitively edited film on observation, experience, and the creative process.

  • The knot in the heart

    The knot in the heart

    PHOTOGRAPHY:For almost 50 years, the photographer Eugene Richards has documented a variety of destinies, from crack addicts to people in emergency rooms and psychiatric hospitals. What has driven him?

  • Laila, mother of the addicts

    Laila, mother of the addicts

    DRUGS: Laila at the Bridge takes the viewer on a harrowing journey to Kabul’s dark underpass, following a woman who attempts to save as many drug addicts as she can.

  • From a war reporter’s point of view

    From a war reporter’s point of view

    Dying to Tell is a portrait of Spanish war correspondents around the world, retelling the sense of thrills associated with adrenal warfare, as well as the traumas experienced during war and in its aftermath.

  • From a child’s perspective

    From a child’s perspective

    ANIMATED MOVIES: Girls dressed as boys in Kabul and Tehran’s underworld of sex, drugs and rave music are portrayed through the eyes of children in the animated movies The Breadwinner and Tehran Taboo.

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