Factory farming filth
FARMING: The filth and falsification at the heart of the factory farming system – responsible for up to 50 percent of the world’s climate change – is revealed.
FARMING: The filth and falsification at the heart of the factory farming system – responsible for up to 50 percent of the world’s climate change – is revealed.
BIOGRAPHY: Subtly assembled, minimalist praise of the goodness and beauty, intelligence and power of the female members of Roberto Rossellini’s families.
HYDRA: Axel Jensen, Marianne Ihlen and Leonard Cohen in a new perspective. Polly Sampson’s new book is a feminist correction of mythologized authors.
ECOLOGY: Director Renu Savant gives us the opportunity to see the ancestral, small-fishing methods of the men of Mirya on the west coast of India.
PHILOSOPHY: Can traditions of brotherhood, friendship, and solidarity still be established amongst today’s majorities?
Covering more than a century of Indian history, Patwardhan weaves a story that exposes the roots of Hindu nationalism and the endless war against India’s «imaginary demons».
Acclaimed German film director Werner Herzog talks about his most recent film Meeting Gorbachev, while also warning against trying to articulate the truth in precise terms.
Two newcomers stood out from the crowd at this year’s Underdox in Munich. Sec Rouge – one of 2018’s most striking, accomplished and beautiful films of any length – and the seminal and glowingly delicate 48-minute film, Accession.
ENVIRONMENT: Peter Mettler is known for his intuitive and experimental film making. The new film Becoming Animal has also an ecological and philosophical depth, as it involves the Canadian philosopher David Abram.
The thought provoking realities of Jayisha Patel’s shortfilm Circle, stands in stark contrast to the realities of the cotton-picking corner of Alabama – portrayed in Maris Curran’s short While I Yet Live.
LIBYA: French journalists Arfi and Laske dig into the real causes of the 2011 bombing.
Machines depicts the inner world of a textile factory in Gujarat, India. Men work among gigantic machinery to produce brightly coloured fabrics. The film strongly echoes the work of late Austrian director Michael Glawogger.